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By John McCormick

Western tradition consists of a sophisticated and intricate mix of affects: spiritual, philosophical, linguistic, political, social, and sociological. American tradition is a selected pressure, yet except ecu antecedents and modern leanings are duly famous, any ensuing heritage is predestined to provincialism and distortion. In his account of yankee literature in the course of the interval 1919 to 1932, McCormick bargains with the extreme paintings of artists who wrested resourceful order from an international within which the abyss was once by no means out of sight. McCormick's quantity is meant as a severe, instead of encyclopedic heritage of literature on either side of the Atlantic among the tip of global battle I and the political and social crises that arose within the Nineteen Thirties. even supposing he emphasizes American writers, the emergence of a necessary and particularly glossy American literature is found within the cultural stumble upon with Europe and the rejection of nationwide bias via the main figures of the interval. McCormick offers with Gertrude Stein and the mythology of the "lost generation," the tensions and ambivalences of traditionalism and modernity within the paintings of Sherwood Anderson and F. Scott Fitzgerald, the impression and features of Hemingway's kind in comparison to that of Henry de Montherlant, and the provincial iconoclasm of Sinclair Lewis juxtaposed with the extra telling satire of Italo Svevo. The formal techniques within the paintings of John Dos Passos, E.E. Cummings, and William Faulkner, the poetic revolution opposed to cultural parochialism and genteel romanticism is given broad attention with reference to the paintings of T.S. Eliot, Ezra Pound, Wallace Stevens, William Carlos Williams, and Marianne Moore also are mentioned. The concluding chapters talk about literary and social feedback and examine the impact of psychoanalysis, philosophical pragmatism, and radical historiography at the highbrow weather of the interval. lecturers and scholars in English and American Literature, American historical past, and Comparative Literature, and the overall reader attracted to the writing of the interval, may perhaps achieve new insights from those valuations, devaluations, and re-evaluations. This version contains a new creation by means of the writer.

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In his article, "The Heritage Of Clinton-Lewinsky: Lasting Effects of a Transient Aberration," David Steinberg reflects on social and political changes inadvertently brought about by the ClintonLewinsky affair that are likely to remain with us for years to come. John Furedy ("Clintonian Feminist Identity Politics and Conceptual Differentiation: Some Non-private Aspects of Monica-gate") comments on what he perceives: as a systematic degeneration of Page 2 logical thinking expressed in the conduct of President Clinton and his supporters in the Lewinsky imbroglio.

Womanizing, and acts vs. opinions (for the latter distinction, see Furedy, 1995). Another mode of defense adopted by Clinton is evidence-contingent pronouncements. The most obvious example of this was the way in which total denial of any relationship with Monica was changed to admission when the stained dress turned up. Such "smoking guns" are very rare, so the evidence-contingent strategy works well to preserve a very low "box score" of lying, where lying itself is defined in terms of Clintonese logic rather than in common-sense and, for that matter, scientific terms as the intention to deceive (Furedy, 1997c).

But being called a rapist is quite different. It may be politically opportune for Clinton to adopt this mode of defense, if he wants to hang onto his office at all costs. " Page 25 3 White House and Democratic Clinton Defenders Of the seven defenses I briefly consider here, the first is the "it's only about sex" argument. This took an almost mantra-like status during the scandal but, contrary to Goebel's views, constant repetition did not make it true. Of course, like most propaganda assertions, it had a grain of truth in it, in the sense that the amount of sexual details in Monica-gate far exceeded those in other scandals, like Watergate.

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