By IAN SCOTT-KILVERT (EDITOR)
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The lifestyles and instances of Britains such a lot notorious son. Occultist, genius, poet, prophet, mountaineer, drug and free-love pioneer, undercover agent, pupil, and all-round undesirable egg. Summoner of demons and loser of acquaintances. A prophet who desired to shop mankind yet ended his days referred to as “The Wickedest guy on this planet.
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Extra info for BRITISH WRITERS, Volume 2
125-126) Do you question A work of secrecy? I must silence you. (III. ii. 16-17) What De Flores asserts in the course of this scene is the reality of his own feelings and the pride of the man who, once despised, has earned the right to equal consideration. Beatrice tries to fend off his claims on her body by withdrawing to conventional protests of outraged modesty. De Flores trenchantly indicates she can no longer find refuge in such pieties: And when the deed is done, Middleton once again brings to our attention that emblematic location—the castle—with its narrow, hidden passages: flores remorselessly exposes the inadequacy of this: the jewel she offers is a fine one, but Twill hardly buy a capcase for one's conscience, though, To keep it from the worm, as fine as 'tis.
Holdsworth, ed. (London, 1974) and G. R. Price, ed. (London, 1976); A Game at Chess (London, 1625), political allegory, in R. C. Bald, ed. (London, 1929) and J. W. Harper, ed. (London, 1966); A Chaste Maid in Cheapside (London, 1630), comedy, in A. Brissenden, ed. (London, 1968), C. Barber, ed. (London, 1969), and R. B. Parker, ed. (London, 1969); The Widow (London, 1652), tragicomedy, in R. T. , Salzburg Studies in English Literature (Salzburg, 1975); The Changeling (London, 1653), tragedy, in N.
W. , Studies in English Renaissance Drama (New York, 1959), analyzes the achievement of A Chaste Maid as "the grandest, most textured of the city comedies," a complex, vital, and disturbing play; R. , 1960), analyzes the achievements of The Change- ling and Women Beware Women especially by way of contrast with Beaumont's The Maid's Tragedy; R. B. Parker, "Middleton's Experiments with Comedy and Judgement" in J. R. Brown and B. A. , Jacobean Theatre, Stratford-upon-Avon Studies 1 (London, 1960), shrewd discussion of the comedies and Women Beware Women; C.