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Censorship in South Asia bargains an expansive and comparative exploration of cultural rules in modern and colonial South Asia. those provocative essays by way of top students increase our knowing of what censorship may mean―beyond the straightforward limit and silencing of public communication―by contemplating censorship's effective capability and its intimate relation to its obvious contrary, "publicity." The members examine a variety of public cultural phenomena, from the cinema to advertisements, from highway politics to political verbal exchange, and from the adjudication of blasphemy to the administration of obscenity.

"[The] compelling quantity Censorship in South Asia steps clear of the media spectacle and, with nice perception and precision, areas such modern circumstances of public agitation and legislation of their local and historic context. to take action, the editors... extend the belief of censorship past juridical repression exercised within the quiet of the state's backrooms and in its place position it inside a bigger area of ‘cultural regulation’." ―South Asia
"The participants to this quantity examine quite a lot of cultural legislation, from cinema to portray, blasphemy to respectable secrecy or even advertisements to nuclear tradition. The essays enlighten readers and supply greater figuring out of the concept that of censorship." ―South Asia Research
"This is an exhilarating and cutting edge quantity that would turn into the normal reference within the box for it slow to come." ―Thomas Blom Hansen, writer of The Saffron Wave: Democracy and Hindu Nationalism in glossy India
"[T]his insightful quantity on a overlooked subject indicates that implies and modes of censorship have stored speed with the mediums of conversation, on grounds no longer assorted to the justification provided through the Raj." ―Contemporary South Asia
"Censorship in South Asia strains the family tree of censorship via time to bare its ever-contested presence in Indian cinema and beyond." ―Maria Khan, Feminist Review

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1880–1922. Manchester: Manchester University Press. Kaur, Raminder. 2003. Performative Politics and the Cultures of Hinduism: Public Uses of Religion in Western India. New Delhi: Permanent Black. Kaviraj, Sudipta. 1997. ” Public Culture 10(1): 83–113. Khilnani, Sunil. 1998. The Idea of India. Harmondsworth: Penguin. Kishwar, Madhu. 2001. Off the Beaten Track: Rethinking Gender Issues for Indian Women. New Delhi: Oxford University Press. Kumar, Girja. 1990. Censorship in India, with Special Reference to The Satanic Verses and Lady Chatterley’s Lover.

Cow protection involved a struggle not only over a “sacred symbol” but also, locally, over “sacred spaces,” and the specificity of local struggles also forged new senses of community: “the common experience of being incorporated in a ‘process of sanctification’ defined group solidarity” (Yang 1980, 582). At a regional level, this spatialization took the form of a network of messengers and traveling preachers who could rapidly disseminate the cause over wide areas. Geographic reach was combined with the insertion of Cow Protection into the spaces of the everyday: “no space, no occasion, it seemed, was inappropriate to organize and direct attention towards the issue of the cow” (Yang 1980, 587).

Chicago: University of Chicago Press. ———. 1997b. “The Nation (Un)pictured? ” Critical Inquiry 23(4) (Summer): 834–67. ———. 2004. “Photos of the Gods”: The Printed Image and Political Struggle in India. London: Reaktion. Post, Robert, ed. 1998. Censorship and Silencing: Practices of Cultural Regulation. Los Angeles: The Getty Research Institute. Prasad, M. Madhava. 1998. Ideology of the Hindi Film: A Historical Construction. New Delhi: Oxford University Press. Rabinow, Paul. 1989. French Modern: Norms and Forms of the Social Environment.

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